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EXHIBITIONS Current Exhibitions | Upcoming Exhibitions | Previous Exhibitions | Outreach Exhibitions | Student Gallery FUSION: CONTEMPORARY GLASS ART FROM NORTH CAROLINA COLLECTIONS Admission | Exhibition Description | Contents | Related Events | Glass Making | Other Information Admission to the exhibition is by ticket for a specific date and time of entry. Free for Museum members and children 12 and under. Student groups are admitted free by advance reservation. Fusion celebrates the imaginative wonder, technical virtuosity, and visual opulence of contemporary art glass from three North Carolina collections: Francine and Benson Pilloff’s from Chapel Hill, Sonia and Isaac Luski’s from Charlotte, and Lisa and Dudley Anderson’s from Wilson, N.C. The works in the exhibition range from large-scale cast sculptures to small blown-glass. Fusion presents 49 works by 15 artists, including: Dale Chihuly; Howard Ben Tré; Joey Kirkpatrick and Flora Mace; Stanislav Libenský and Jaroslava Brychtová; Joyce Scott; Paul Stankard; Therman Statom; and Bertil Vallien. North Carolina artists represented in the exhibition include: Rick Beck, Jon Kuhn, Harvey Littleton, Mark Peiser, and Richard Ritter.This is the first ever exhibition of glass art at the Museum of Art. Click here for the press release.
Senior Day Video Theater May :Chihuly over Venice (45 min.) Different formulas produce different types of glass. The most common type from antiquity to the present, soda-lime glass, combines three elements: silica (silicon dioxide) in the form of sand ground from quartz; soda, a “flux” that lowers the melting temperature; and lime, to strengthen the glass. Feldspar from the North Carolina mountains can also be used as a flux, and sodium nitrate may be added as a clarifying agent. This “batch” mixture is heated to about 2,500 degrees Fahrenheit, where it melts and can be shaped. Glass is a solid, but unlike other solids, it has randomly ordered molecules like a liquid. Lead glass incorporates lead oxide to create brilliance. Its structure is excellent for having decorative textures or designs cut into the surface. Color Color is created by adding to the glass a substance such as a metallic oxide. Iron can produce green or brown glass; copper, light blue or red; cobalt, a deeper blue; tin, white; gold or selenium, red; etc. Colors are added in the form of frit, or crushed glass, or as glass rods or glass powder. Casting Casting, an early method of shaping glass, remains a popular way to form the material. In hot casting, molten glass is poured into a clay or sand mold and cooled; in cold casting, either frit or chunks of glass are placed into a mold and heated, then cooled. Both methods allow the glass to retain the shape of the mold. Cold casting is preferred in the Czech Republic to create large-scale glass sculpture. Pâte de verre (glass paste) and cire perdue (lost wax) are among other casting methods. Blowing Ancient Romans developed a method of shaping glass objects by collecting a blob of molten glass on one end of a metal blowpipe and blowing into the pipe from the other end. This technique enlarges the glass like a bubble, allowing it to be formed into a hollow vessel. The glass is worked into shape with jacks, paddles, and blocks. Cold-Working: Grinding, Cutting, and Polishing Wheels with abrasive coatings and a liquid are used to grind a frosted surface decoration (a process known as etching, which can also be done with acid) or to cut a V-shaped pattern into the object’s surface. If a clear (not-frosted) decoration is desired, several additional grinding steps polish the surface with progressively softer abrasives. Outside Resources Corning Museum of Glass, Corning, NY The Mint Museums, Charlotte, NC
Museum Store Membership How to Get to the Museum Around the Triangle Captions Dale Chihuly, American. Gilded Yellow Venetian with Lilies, 1991. Blown glass with applied furnace-worked elements. 20 5/8 x 22 7/16 inches. Collection of Francine and Benson Pilloff Howard Ben Tré, American. Wrapped Form #1, 1993. Cast glass. H 54 ½ x 19 ¼ x 19 ¼ inches. Collection of Francine and Benson Pilloff Stanislav Libenský, Czech and Jaroslava Brychtová, Czech. Green Eye of the Pyramid, Cast glass. H 72 x 112 x 16 inches; base: H 12 x 115 inches. Collection of Lisa and Dudley Anderson |
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